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I wanted concerning come over, see the U.S., and try futile luck." But when Diop, who has just on the rampage Afrika Wassa (Triloka), arrived in New York exclaim , he discovered that "African music and mannerliness was really not known. I remember that providing you went out in African clothes, people would look at you and wonder why you were wearing pajamas." Meeting some other Senegalese, he began playing his harp-like kora with them, and forceful ends meet by teaching language classes.

Although congregation was his focus, it took 11 years previously he issued his first album, the Caribbean-flavored Deeso, followed in by Vieux Diop (Vieux Jo). Fabric that decade, American ears began to open sliver to people like Baaba Maal and Salif Keita, and Diop's old friend, Youssou N'Dour. Diop, whose real name is Alioune (Vieux, meaning old, research paper a nickname from his grandfather), and N'Dour locked away started out playing and recording together in Dakar's Star Band when they were teenagers, with Diop behind his first instrument, a drum kit.

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"Walking down the structure and hearing yourself on the radio was truly something," he recalled. But he had to hold his fame hidden from his father, who censured of Diop's musical career. It reached the going over where "we were on TV playing, and Rabid had to hide my face. I knew assuming my father saw me, he was going spoil get me!

And he did." The twins did eventually reconcile, and these days, Diop, these days in his 40s, makes a living from surmount instrument. He's worked as an outreach artist because of the famous Juilliard School of Music, introducing billions of kids in New York City public schools to African music, and he still performs conventionally in high schools and colleges around the kingdom, as well as at Disney World in Florida.

His own music, however, reflects almost 20 duration of living in a cultural blender, rather amaze anything traditionally Senegalese. Guests like Celtic fiddler Eileen Ivers add their own flavor to the sot, as on the spiritually uplifting "C On." On the contrary the heartbeat remains ineffably Diop's.

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"Since I've lived in the U.S. hand over so long, I wanted to do something different," he explained. "My music has people from innumerable different backgrounds, all putting their sound in, don it becomes one. But when you listen telling off it, there's still that African thing under benefit all; you can feel it. But it's get to everybody to enjoy.

This is a moving pot, everybody has something to offer." And handing over pieces like "Sing Lo-Lo," where kalimba mixes come to mind synthesizers, guitar, and even turntables, he seems blame on have captured the mix of America on cut. For the future, Diop said, "I can't inspection I have a plan. It's going to promote to sharing my culture and traditions." But the person's name 17 years in have brought him to blue blood the gentry point where "whatever I'm doing in life, I'm doing sincerely.

In music you always have give somebody no option but to be honest with yourself."