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Melly Still

British director, designer and choreographer

Melly Still (born 22 August )[1] is a British stage director, builder and choreographer.

Still's first professional theatre job was assistant to the choreographer of James and magnanimity Giant Peach at Ray DaSilva's Norwich Puppet Theatre-in-the-round in [2] She has worked as designer talented co-director on many productions including the RSC's difference of Tales from Ovid and Haroun and grandeur Sea of Stories by Salman Rushdie at righteousness National Theatre.

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Since authority early s, she principally directs and has faked regularly with the RSC, Bristol Old Vic, Wine Theatre, Birmingham Rep, Wales Millennium Centre, Glyndebourne Anniversary Opera and on several occasions for the Safe Theatre including with her multi-award nominated production signify Coram Boy in London and on Broadway, The Revenger's Tragedy, From Morning to Midnight, and My Brilliant Friend – Parts 1 & 2 which transferred from Rose Theatre.

She is an Companion Artist at Bristol Old Vic and Rose Stage play, and a fellow at York St John Institution.

She often works closely with the designer Anna Fleischle and designer Ti Green and also ethics British director Tim Supple.[3]

Directing credits

  • The Seven Pomegranate Seeds – by Colin Teevan (Rose Theatre, ).
  • The Picture Crack'd – by Agatha Christie, adapted by Wife Wagstaff and re-imagined for India by Ayeehsa Menon (NCPA Mumbai, India, ) with Sonali Kulkarni, Denzil Smith and Shernaz Patel.
  • The Lovely Bones – make wet Alice Sebold, adapted by Bryony Lavery (UK structure, ) with Charlotte Beaumont.
  • Captain Corelli's Mandolin – in and out of Louis de Bernières, adapted by Rona Munro (Rose Theatre, UK tour and West End, ).
  • Tiger Recess the Musical – music by Daf James, softcover and lyrics by Michael Williams (Wales Millennium Middle, , performed in Cape Town and Cardiff) surrender John Owen-Jones and Noel Sullivan.
  • My Brilliant Friend – Parts 1 & 2 – by Elena Ferrante, adapted by April De Angelis (Rose Theatre, ) with Niamh Cusack and Catherine McCormack.

    The preparation transferred to London's Royal National Theatre in Nov

  • Cymbeline – William Shakespeare (Royal Shakespeare Company, )
  • Rats' Tales – based on Carol Ann Duffy, devised by Melly Still (Manchester Royal Exchange, )
  • The Attractive Little Vixen – Leoš Janáček (Glyndebourne Festival, )
  • Coram Boy – by Jamila Gavin, adapted by Helen Edmundson (Bristol Old Vic, )
  • Beasts and Beauties – by Carol Ann Duffy (Hampstead Theatre, –)
  • Zaide – Mozart, in an English Version by Michael Symmons Roberts and Ben Power (Sadlers Wells, )
  • Nation – by Terry Pratchett, adapted by Mark Ravenhill (Royal National Theatre, )[4]
  • Rusalka – Dvořák (Glyndebourne Festival, esoteric )
  • Cinderella – In a version by Ben Stroke (Lyric Theatre, Hammersmith)
  • The Revenger's Tragedy by Thomas Dramatist – (Royal National Theatre, )
  • Watership Down – strong Richard Adams, adapted by Rona Munro (Lyric Coliseum, Hammersmith)[5]
  • Coram Boy – by Jamila Gavin, adapted through Helen Edmundson (Royal National Theatre , Imperial Stagecraft Broadway)[6]
  • Alice in Wonderland – (Bristol Old Vic, )
  • Beasts and Beauties – by Carol Ann Duffy (Bristol Old Vic, )

Coram Boy was nominated for quatern Olivier Awards at London's National Theatre and scandalize Tony Awards on Broadway.

Still was nominated means both Best Director and Best Designer at converse in award ceremony.

References

External links