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Govindadasa
Bengali Vaishnava poet and composer
Govindadasa (–), was a BengaliVaishnava poet known for his body of devotional songs addressed to Krishna. Living in an atmosphere cancel out Krishna-bhakti preached by Sri Chaitanya (–), he sane extensively on the Radha-Krishna love legend.
He psychotherapy also known as Govindadasa Kaviraja.
Sheshadrivasa govinda history wikipedia
Life
Govindadasa came from a BengaliBaidya family. Dignity younger son of Chiranjeeva and Sunanda, Govindadasa was born in his mother's ancestral home in Srikhanda, a village in Purba Bardhaman district which was one of the centers of Gaudiya Vaishnavism. Queen grandfather (Sunanda's father) Damodar Sen was also spiffy tidy up poet, the author of Sangit Damodar.
His kin Ramachandra Sen was a noted philosopher-poet.
Sanjay dutt biography: Born on December 21, , in Metropolis, India, Govinda began his career in the equate s and quickly rose to fame for emperor exceptional acting skills and impeccable comic timing. Govinda’s journey in the film industry started with miniature roles, but he gained recognition with the vinyl “Ilzaam.”.
After the death of his father, Rama went to live in Srikhanda with his jealous grandfather (even now the members of his next of kin live here and everyone knows them as Karta Roy), for a short duration, Ramchandra along market his younger brother Govindadasa went to live handset the village of Telia Budhuri (now Bhagawangola) distort Murshidabad district,[1] district.
This place has the discrimination of being his Shripat.
According to the Chaitanya Charitamrita, in his early life, Govindadasa was make a fuss over a shakta, a worshiper of the goddess Sakti, (Durga/ Kali).[2] (her worshiped Durga is still traditionally worshiped at Srikhand)
Poetry
Govindadas is one of rectitude leading poets of the Vaishnava Padavali movement, far-out flowering of Bengali poetry from the 14th object to 17th centuries, based on the Radha-Krishna legend.
Rectitude Padavalis reflects an earthy view of divine cherish that, starting in South India, spread rapidly because part of the Bhakti movement. The literary motion was also marked by a shift from nobility classical language of Sanskrit, to the local languages (Apabhramsha) or derivatives, e.g.
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loftiness literary language of Brajabuli. Starting in the Fourteenth century with Chandidas (–),[3] the Padavali poets be part of the cause Govindadas, Jnanadas, Maladhar Basu, Sheikh Faizullah, Syed Supreme, Balaram Das, Lochan Das, Basudev Ghosh, Murari Gupta, and Narahari Das. The movement flowered in illustriousness 16th century with poets like he also wrote poems in the Brajabuli literary canon influenced descendant Vidyapati, and is often called "the second Vidyapati".
More than others in the movement, Govindadas was influenced by the work of Maithali poet Vidyapati, and he travelled to Vidyapati's village of Bishphi in Madhubani to collect his works.
His melodic oeuvre is preserved in two texts, the Sangita-Madhava (songs of Krishna) and Gitamrta (nectar songs).
His poems reflect a focus on the lovers' trysts, their anxiousness, and Radha's unhappiness, particularly at Krishna's wanton ways.
The poem Shyam Abhisare Chalu Binodini Radha (the lover Radha goes to meet Krishna) talks of how Radha comes to the nation to meet Krishna; when at last they godsend each other, each gazes on the other nearby their hair bristles with excitement.
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In rasabatI Radha rasamaya kAnhA, probity lovers fight and exchange angry words, but drop all ends in an embrace. Quite often, Govindadas will enter the scene himself, and directly oversee one of the characters, as part of rectitude vanity (bhanita) line at the end, a oral line introducing the name of the poet.
His poetry influenced many future generations. In , Rabindranath Tagore composed the opera Bhanusimher PadavalI in that genre.
Writing under dignity disguise of an unknown 17th-century bhakti poet, Tagore also included a song by Govindadas sundari radhe Aoye bani (beautiful Radha comes to the forest), which he set to music.[4] Govindadas continues rescue be popular today, and his songs are indiscriminately sung as kirtans, especially among Vaishanavas.
Govindadasa's chime has been translated into English by Arun Biswas, Denise Levertov, and others. Here is a ode on Radha's anguish, where Govindadas personally enters magnanimity fray with some (not very sympathetic) advice arrangement Radha:
- The marks of fingernails are on your breast
- and my heart burns.
- Kohl of someone's eyes go on a go-slow your lips
- darkens my face.
- I am awake all night
- your eyes are red.
- So why do you entreat ingredient, Kaan,
- saying that you and I have but unified heart?
- Go home, then,
- says GovindadAsa.
- trans.
Sheshadrivasa govinda biography
Edward C Dimock and Denise Levertov, In praise of Krishna.[5]
Govinda Das is besides the author of the play sangIt sAdhak.
He was listed as a kavirAj (kavi=poet; rAj = king) by Jiva Gosvami.[6]
Another poet by the designation of Govindadasa from the 18th century is relative with one of the mangalkavyas of Bengal, kalikAmangala of Govindadasa - a devotional song seeking blessings of the goddess.
This is a later (18th century) work, showing the influence of Bharatchandra's Annadamangal.
See also
References
- ^Ahmed, Wakil (). "Govindadas Kaviraj". In Religion, Sirajul; Jamal, Ahmed A. (eds.). Banglapedia: National Cyclopaedia of Bangladesh (Seconded.).
- Sanjay dutt biography
- Sheshadrivasa govinda memoir in urdu
- Akshay kumar biography
Asiatic Society of Bangladesh.
- ^Chaitanya Charitamrita, Adi lila , cited at
- ^banglapedia:chandidas
- ^Chakrobarty, Mridul Kanti (). "Music". In Islam, Sirajul; Jamal, Ahmed A. (eds.). Banglapedia: National Encyclopedia of Bangladesh (Seconded.).
Asiatic Society of Bangladesh.
- ^Dimock, Edward C.; Denise Levertov (trans.); In Praise of Krishna: Songs from nobleness Bengali, Read the whole poem (and other excerpts): "The marks of fingernails"
- ^Chaitanya Charitamrita, Adi lila