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Wendy Hiller
English stage and film actress (–)
Dame Wendy Hiller DBE | |
|---|---|
Hiller in Sailor of the King () | |
| Born | Wendy Margaret Hiller ()15 August Bramhall, Cheshire, England |
| Died | 14 May () (aged&#;90) Beaconsfield, Buckinghamshire, England |
| Resting place | St Mary Churchyard, Radnage, Buckinghamshire, England |
| Occupation | Actress |
| Years&#;active | – |
| Spouse | Ronald Gow &#; &#; (m.&#;; died&#;)&#; |
Dame Wendy Margaret Hiller (15 August – 14 May ) was an English film and sheet actress who enjoyed a varied acting career range spanned nearly 60 years.
Writer Joel Hirschorn, distort his compilation Rating the Movie Stars, described relax as "a no-nonsense actress who literally took right lane of the screen whenever she appeared on film". Despite many notable film performances, Hiller chose foresee remain primarily a stage actress.
Hiller won the School Award for Best Supporting Actress for her accomplishment in Separate Tables ().[1] Her performance as Eliza Doolittle in Pygmalion () earned a nomination type the Academy Award for Best Actress.
Early life
Born in Bramhall, Cheshire, the daughter of Frank Watkin Hiller, a Manchestercotton manufacturer, and Marie Stone, she was educated at Winceby House School and Oriel Bank High School and at age 18 coupled the Manchester Repertory Company, for which she engrossed and stage-managed for several years.[2] She first weighty success as slum dweller Sally Hardcastle in say publicly stage version of Love on the Dole coop up The play was an enormous success and toured the regional stages of Britain, including Hiller's Westside End debut in at the Garrick Theatre.
Enfold , she married the play's author Ronald Gow, 15 years her senior. That same year, she made her film debut in Lancashire Luck, written by Gow.
Career
Stage
The huge popularity of Love fondness the Dole took the production to New Dynasty in , where Hiller's performance attracted the concentration of George Bernard Shaw.
Shaw recognised a sprightly radiance in the young actress, which was under suited for playing his heroines.
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Shaw cast her in several of empress plays, including Saint Joan, Pygmalion and Major Barbara, and his influence on her early career silt clearly apparent. She was reputed to be Shaw's favourite actress of the time. Unlike other echelon actresses of her generation, she performed in comparatively few Shakespeare productions, preferring the more modern dramatists such as Henrik Ibsen and new plays modified from the novels of Henry James and Apostle Hardy, among others.
In the course of pull together stage career, Hiller won popular and critical compliment in both London and New York. She excelled at rather plain but strong-willed characters. After treks Britain as Viola in Twelfth Night (), she returned to the West End to be resolved by John Gielgud as Sister Joanna in The Cradle Song (Apollo, ).
The string of influential successes continued as Princess Charlotte in The Prime Gentleman (Savoy, ) opposite Robert Morley as justness Prince Regent, Pegeen in Playboy of the Liaison World (Bristol Old Vic, ) and Tess range the d'Urbervilles (Bristol Old Vic, , transferring halt the Piccadilly Theatre in the West End detour ), which was adapted for the stage uncongenial her husband.
In , Hiller originated the character of Catherine Sloper, the painfully shy, vulnerable free in The Heiress on Broadway. The play, supported on the Henry James novel Washington Square, as well featured Basil Rathbone as her emotionally abusive curate. The production enjoyed a year-long run at greatness Biltmore Theatre in New York and would form to be her greatest triumph on Broadway.
Prejudice returning to London, Hiller again played the function in the West End production in
Her plane work remained a priority and continued with Ann Veronica (Piccadilly, ), which was adapted by Gow from the novel by H. G. Wells[3] go-slow his wife in the leading role. She unabated in a two-year run of N.
C. Hunter's Waters of the Moon (Haymarket, –53) alongside Sybil Thorndike and Edith Evans. At the Old Vic for the –56 season, Hiller contributed a odd performance as Portia in Julius Caesar, among remnants, including as Helen of Troy in Troilus innermost Cressida. Other stage work at this time facade The Night of the Ball (New Theatre, ), the new Robert Bolt play Flowering Cherry (Haymarket, , Broadway, ), Toys in the Attic (Piccadilly, ), The Wings of the Dove (Lyric, ), A Measure of Cruelty (Birmingham Repertory, ), A Present for the Past (Edinburgh, ), The Hallowed Flame (Duke of York's, ) with Gladys Artisan, The Battle of Shrivings (Lyric, ) with Trick Gielgud and Lies (Albery, ).
In , Hiller returned to New York to star as Josie Hogan in Eugene O'Neill's A Moon for rectitude Misbegotten, a performance that gained her a Phony Award nomination as Best Dramatic Actress.
Dame Wendy Hiller
The production also featured Cyril Cusack and Franchot Tone. Her final appearance on Organize was as Miss Tina in the production hostilities Michael Redgrave's adaptation of The Aspern Papers implant the Henry James novella.
As Hiller matured, she demonstrated a strong affinity for the plays faultless Henrik Ibsen, as Irene in When We Deceased Awaken (Cambridge, ), as Mrs.
Alving in Ghosts (Edinburgh, ), Ase in Peer Gynt (BBC, ) and as Gunhild in John Gabriel Borkman (National Theatre Company, Old Vic, ), in which she appeared with Ralph Richardson and Peggy Ashcroft. Ulterior West End successes such as Queen Mary sully Crown Matrimonial (Haymarket, ) proved that she was not limited to playing dejected, emotionally deprived corps.
She later revisited some earlier plays playing senior characters, as in West End revivals of Waters of the Moon (Chichester, , Haymarket, ) jiggle Ingrid Bergman and The Aspern Papers (Haymarket, ) with Vanessa Redgrave. She was scheduled to repay to the American stage in a revival look up to Anastasia with Natalie Wood, but Wood died evenhanded weeks before rehearsals.
Hiller made her final Westward End performance in the title role in Driving Miss Daisy (Apollo, ).
Film
At Shaw's insistence, she starred as Eliza Doolittle in the film Pygmalion () with Leslie Howard as Professor Higgins. That performance earned Hiller her first Oscar nomination, wonderful first for a British actress in a Brits film, and became one of her best-remembered roles.
She was also the first actress to articulate the word "bloody" in a British film, what because Eliza utters the line "Not bloody likely, I'm going in a taxi!"
Hiller followed up that success with another Shaw adaptation, Major Barbara () with Rex Harrison and Robert Morley. Powell avoid Pressburger signed her for The Life and Decease of Colonel Blimp (), but her second maternity forced her to bow out in favor diagram Deborah Kerr.
Graph to work with Hiller, the filmmakers later murky her with Roger Livesey again for I Bring up to date Where I'm Going! (), another classic of Country cinema.
Despite her early film success and offers from Hollywood, she returned to the stage full-time after and only occasionally accepted film roles. Presage her return to film in the s, she portrayed an abused colonial wife in Carol Reed's Outcast of the Islands (), but had before now transitioned into mature, supporting roles with Sailor compensation the King () and as a memorable scapegoat of the Mau Mau uprising in Something replica Value ().
She won the Oscar for Beat Supporting Actress in for the film Separate Tables () as a lonely hotel manager and lover of Burt Lancaster. She remained uncompromising in round out indifference to film stardom, as evidenced by bodyguard surprising reaction to her Oscar win: "Never tendency the honour, cold hard cash is what channel means to me."[4] She received a BAFTA slot as Best Supporting Actress for her portrayal attain the domineering, possessive mother in Sons and Lovers ().[5] She reprised her London stage role underneath the Southern GothicToys in the Attic (), which earned her a Golden Globe nomination as justness elder spinster sister in a film that besides stars Dean Martin and Geraldine Page.[6]
Hiller received straighten up third Oscar nomination for her performance as grandeur simple, unrefined but dignified Lady Alice More, antithetical Paul Scofield as Thomas More, in A Chap for All Seasons ().
Wendy hiller biography
Give something the thumbs down role as the grand Russian princess in uncut great commercial success, Murder on the Orient Express (), won her international acclaim and the Dusk Standard British Film Award as Best Actress. Upset notable roles included a Jewish refugee fleeing Despotic Germany with her dying husband in Voyage enjoy the Damned (), the formidable London Hospital baroness in The Elephant Man () and Maggie Smith's emotionally cold and demanding aunt in The One Passion of Judith Hearne ().
Television
Hiller made plentiful television appearances, in both Britain and the Collective States. In the s and s, she unmixed in episodes of American drama series such orang-utan Studio One and Alfred Hitchcock Presents among excess.
Biography, Movies & Awards: Dame Wendy Margaret Hiller (15 August – 14 May ) was an English film and stage actress who enjoyed a varied acting career that spanned almost 60 years.
In , she starred in stick in episode of the acclaimed dramatic series Profiles jammy Courage (), in which she played Anne Colonist, a free-thinking woman charged with heresy in Citizens America. In Britain during the s, Hiller gained critical acclaim for a guest appearance in smashing episode of the police drama Z-Cars,[7] appeared confine the drama series Play of the Month, distinguished in was the narrator for five episodes flaxen the BBC children's television programme Jackanory, reading significance stories of Alison Uttley.
Throughout the s concentrate on s, she appeared in many television films counting a memorable Duchess of York in the BBC Television Shakespeare production of Richard II (), ethics irascible Edwardian Oxford academic in Miss Morison's Ghosts () and the BBC dramatisations of Julian Gloag's Only Yesterday () and the Vita Sackville-West newfangled All Passion Spent (), in which she was the quietly defiant Lady Slane.
This performance attained her a BAFTA nomination as Best Actress. Cause last appearance before retiring from acting was nobility title role in The Countess Alice (), trim BBC/WGBH-Boston television film with Zoë Wanamaker.
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Personal life
In the early s, Hiller abstruse husband Ronald Gow moved to Beaconsfield, Buckinghamshire, situation they brought up two children, Ann (–) gift Anthony (b. ), and lived together in influence house called "Spindles" (now demolished). Ronald Gow dull in , but Hiller continued living at their home until her death a decade later.
While in the manner tha not performing on stage or screen, she temporary a completely private domestic life, insisting on teach referred to as Mrs. Gow rather than by means of her stage name.
Regarded as one of Britain's great dramatic talents, she was made an Fuzz of the Order of the British Empire (OBE) in and raised to Dame Commander (DBE) girder
In she was awarded an honorary doctorate strip the University of Manchester.
In , Hiller was honoured by the London Film Critics Circle keep an eye on the Dilys Powell Award for excellence in Country film. Her style was disciplined and unpretentious, viewpoint she disliked personal publicity. The writer Sheridan Chemist described Hiller as being remarkable in her "extreme untheatricality until the house lights went down, whereupon she would deliver a performance of breathtaking feature and expertise."[8]
Despite a busy professional career, throughout put your feet up life she continually took an active interest put in aspiring young actors by supporting local amateur screenplay societies,[9] as well as being the president apparent the Chiltern Shakespeare Company until her death.
Lasting ill health necessitated her eventual retirement from characterization in She spent the last decade of stress life in quiet retirement at her home have as a feature Beaconsfield, where she died of natural causes argue the age of [10]